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Right hia

It maybe even sounds better and more deep and tight, but it could also be his voice changing while in between takes. And the distance to the mic makes a difference.

I think an ir loader works fine then just blend to get your own sound

I have a hardware ssl clone, and everytime I do these A/B comparisons the plugins seem to do the ssl thing very well, but the hardware grabs everything better, smooth everything out better, and adds nice harmonics, it's just not the same.

First time I have been able to hear difference... I think 🤔 The hardware seemed full without the 'edgy' sound apparent in the plugin... mostly in the bass and snare.

I'd like to hear the V30 on one side and the Gt2 on the other, at the same time, with the full mix. Sometimes the thicker version and the brighter version sound huge together. My main cab is a V30 4x12 and probably always will be. But in this example, I kind of prefer the G12. I agree it's got more sizzle and I can see that leaning into annoying territory, but it's not so much that it bothers me. Honestly I'm confident either one could sound great with a little EQ, but it's still a good comparison. I never recorded much, but I do know that for playing live, once you find a cabinet you really like, hang on to that rsscal. :)

I like all of the sounds. I think a blend of both cabinets would be awesome. When you eq’d your setup it sounded like how I thought a blend would sound. How did you handle the low-end of the V-30 in the mix? I thought it was going to be muddy, but it wasn’t.

The V30 sounds more musical - you can hear guitar notes through the distortion. G75 sounds harsh, dry, gravel-like and muddy in the mix.

I like the G12-T75 more in the mix...

Maaaaan... I recently took my Black Lion B172a out of my vocal tracking chain and dedicated it to mixing only. I've been tracking through the dbx 286a compressor. It just works. Turn the knob until it sounds good and move on.

I disagree with some of your opinions on modeling microphones. Let's start with the obvious statement of 'you only need that amount of microphones'. It's totally subjective as to which ones you actually need, which is why big recording studios have a variety to choose from. And no, I'm not better off buying a selection of Neumann's simply because I can't afford them. 2. You don't need a bunch of software to use these. As a matter of fact you don't need any. These are decent mics to begin with and work just fine without the modeling part. I don't think these modeling mics are in a price range that would keep anyone from buying a real one eventually once people know what they do and don't like. 3. If you DO choose to use the modeling feature, you need ONE plug-in, which is the Hemisphere Plug-In and it works in all the DAWs. Sounded a bit more dramatic than it was when you explained it in my opinion.

Nice video! Sorry for the beginner question but why do you have your pre amps and eqs in pairs? Isn't 1 enough?

Yeah definitely gonna need that video on guitar mic'ing now

This video explains this plugin so well but I understand its not for everyone ruclips.net/video/WONiHMpKPpA/видео.html

This an old video, possibly when you reviwed it it wasnt resizable. On Uad native its resizable. After resizing makes it eminently readable. I use this and its incredibly useful. Re what each section and buttons actually do there are plenty of excellent tutorials right here on RUclips.

Having begun to get into music in the 70's, have to say that I prefer the sound of the vintage speakers.

Hey Mitch, I’m looking to get started with some outboard gear so was looking at the DIYRE CP5 with the colour modules. Do you have any thoughts on that and do you think I would be better off just going for a straight up 1073 clone kit instead? Im doing mostly rock and pop, will be using it mostly for vocal tracking. Cheers 🤘

I've actually heard the KM 84 has more mid-forward than the KM 184 not more low-end. In fact, I have two KM 184s and I can't imagine more low end (so much that you better move that mic out from a boomy source). I'm very interested in the Mic Parts SDC 84, thanks for the tips. I haven't built any DIYRE kits but I own the EQP 5 which really does a decent job, close to the Audioscape EQP-1A.

Swap the yellow MKS caps for the Kemet MKP caps. Ceramic ones are also not ideal but you can't swap them for MKP because MKPs dont go lower than 1nf. Polystyrenes do but are a bit harder to find. If you want more info you can find Cyril Batemans book about capacitors in audio. Also you can record the before and after since you already have MKS caps inside there :)

Which capacitor dielectric type is on the C7 C6 and C10? Metallized paper?

I modded a Behringer B1 without buying a kit. Still waiting to buy an original one so I can make a video comparison.

Great video! Thank you!

A lot of people don't get how much input this takes. I appreciate the work you do. Thank you.

Oh, I thought he'd obtained one and used it. A bunch of hot air indeed.

After researching your signal chain and checking out prices, I've decided to stick with plugins until I find some really good deals on new or used equipment. Or, maybe I'll win the lottery. haha

Two years ago I bought a set of Austrian Audio HiX65 headphones and they were a total game changer.

Hey man this is a super useful video! I got a question that is sort of specific to my room shape/size if you don't mind - I just got my first pair of monitors with a set of Adam Audio T5Vs and am excited to setup my home studio space, but I'm not really sure what wall would be best to setup my desk on. My room is shaped kind of like an angular P with the leg portion of the P being a short little nook. If you were to cut out the nook, my room would be a rectangle, but the nook makes for an awkward extra bit of space that I've placed a keyboard in. I guess it would sort of look like this: A _________________________________________________ | | | | D | | ------------ |. B | | | | |_________________________________________. | C Sorry for the crude drawing, but hopefully it came out alright lol. Anyway, without the nook, this room is about 9.25x12 feet, then the nook adds about 3.25x4 feet of extra space (sorry for the dumb American imperial system too btw haha). I currently have my desk positioned on wall A in the center, more or less. Wall C is only about 5 feet behind me when I'm sat in my chair at my desk and I'm not sure if my desk would be better in the center of wall A, like how I currently have it, or if it should be in the center of wall B so that there is more space for the monitors to project before the sound reflects off wall D. Would the nook imbalance things so much that the shorter distance between walls A and B would be better, or would the added distance of being setup on wall B still be better, despite wall D being on even due to the nook? Sorry again for the strange and elaborate question. I'm just a newbie lol. Cheers!

Still sounds really good and looks good on screen

I just did a build of a line level to mic level board that someone had online, and it worked great, but with this removal of parts business I fear I may end up losing my arse doing this one, so I can't risk it.

Will be anxiously awaiting your build and sound tests on the new DIYRE unit!

I wired up a speaker as a sub with a switch to reverse the polarity. I'm thinking of adding a ground lift switch with a 100ohm resistor

subbed!

Mitch, just came across your channel yesterday and just wanted to thank you for the content you make. I’m slowly getting into music recording and mixing as a hobby, and so I am in the early days of building my own “studio”. I too have the DIY mindset and am learning to solder and desolder, which I hope in time will come in handy when I do start to acquire some analog gear. Anyway, great to see another Aussie putting out content for us to learn from and get some ideas and inspiration. Cheers!😊

They are $699 + tax at Sweetwater. Australien prices are shown including tax.. if you convert the US taxes in amount to AUD it’s pretty close.

Its a mafia. micparts mics are 1k average prices. I mean great way to manipulate/inflate. Create scarcity inflate original products to 30k romancing old shtty recordings back in the day/celebrity etc then make copies for 1k twice the price of the genuine original back in the day. Question is are they as good as the 1k genuine branded mics ie tlm103 out their. omg. considering its really a hobby for ppl this blows my mind. Its just a pump fake the entire industry playing with ppl with now "vintage" is the new age. Its a circle jerk. A steady constant no end of marketing gimmicks and no new development. The special sauce cant be replicated?? The idea theirs some great tech in the older mics is trash. The recordings in the late 90's has yet to be overtaken. 2023 and a person cant replicate those sounds/tech using digital anything he throws thousands into. wtf. Its fools gold. The music industry will never allow the average studio to get their hands on that gear. No amount of time, money, talent, effort can make a good recording these days from what im hearing in ppls recordingz and that gear should not only be here but be cheap in an honest world. They are just throwing in tech, updates, editions, series etc to bite ppls time. Its a fking joke. Full of broken dreams and gas lighting. Now they have ppl going back in time?? haha.

Aye some good stuff in this video!! That Suede effect sounds pretty cool, stoked to hear what is to come!!!

I'm going to disagree on Behringer's new products and price point being a good thing. The price point is just low enough to entice truckloads of inexperienced people into spending money they shouldn't spend on gear they don't need. Most people have no idea why a Neve 1073 is useful. People who are buying the clones are legit going online and looking for settings other people use to get "the sound," without having any idea of microphone topology, proximity, volume of the instrument, the rooms other people are recording in, and the process after the preamp that dictates what the preamp is set to. We're soon going to see these products flood the used market, being sold by people who were sold a dream without being grounded in reality. Look at the comments from the Behringer 369 videos where they're compared to the real Neve piece. Most of the commenters are saying the Behringer sounds better, because it's letting more high end through and it's more "articulate." Some of the RUclipsrs are saying the same things. Almost all inexperienced people are drawn to cheaper gear that has too much high end detail that is ultimately useless in most commercial applications. These people need ear training and a good course on music production, not another piece of cheap gear. Gear is a roadblock that most people can't see. This is coming from a guy who owns commercial recording studios filled with gear, but it's all part of a money making company that can justify the need, cost, and upkeep. Most home studios aren't tracking with 30-40 open mics on 30-40 independent tracks at a time. Home studios have the luxury of time. They can spend days recording parts and days sculpting the sounds in the box. Commercial studios need immediate soundscapes. If we had the luxury of time we wouldn't need the gear.

I'm waiting for the 600 series units. With the 24+/24-/48+ power rails it should allow for much more headroom. Dedicated side-chain is also a plus!

Great review. Are the JFET preamps (1 & 2) also compatible with condenser mics using the 48v phantom power?

Good to come across an Aussie channel. I hear you on prices.

Can’t say I’ve seen high end manufacturers drop prices due to Behringer’s clones. Feeling like they know the folks who buy Behringer stuff for the price won’t take the leap to high end gear anyway.

What's going on demonstrates why it's so important for patents, trademarks and copyright.

People love paying a premium just for the logo and name brand. You think it costs thousands to build, of course not .

The lyric to that song is swimming in the what? Its driving me nuts...

Nimbrini is known as the only company that could replicate the Vox amp

I already pre-ordered the 1273 from Sweetwater they said it will be here in the fall

There are Midas Trannys in the 1273. There's a video or 2 on Behringer website.

As a sound skulptor owner, please do a 573/73P shootout! Love the news series you've got goin!

I really don't care if the 1273 has the Neve sound or not. It simply looks like something that's useful and sounds pretty good based on the video. There are only two types of gear for me. One that works and sounds good or it doesn't. Yes I have high end stuff, but I really don't care what the branding is. I always go for sound. I'm pleasantly surprised how promising these units look like.

Hey, do you also have 500 series from JLM audio ?